First published in 3: On this album, Anderson is a twentieth-century necromancer, fuelled by visions of Hollywood, pornography and the English incantations of Blake, Byron and Ballard. He is adept at combining chords with plucked leads in one guitar figure. The next day when I met with Debra and Matt, we solidified the arrangement, and I knew it was going to be a great moment for me onstage. This is an impression enhanced when drag artists in masks frolic around the band in leopard print. As Anderson explores more deeply in follow-up album Dog Man Star, the English tendency is to dream of distant times, and to be possessed by the dreams of other cultures. All themes Morrissey and Anderson explored in their own lyrics.
He was Goliath, and I was David. It had this amazing garden. Anderson spoke of how fame brought the contradiction of adoring fans along with personal isolation. The song describes a wretch begging a star to go from the silver screen of his fantasy into the filth of his existence. If Anderson was having nightmares about car crashes it was only one type of vision that made itself evident on the album. The London riots that would follow were blamed variously on racial tension, economic decline and financial inequality. The next day when I met with Debra and Matt, we solidified the arrangement, and I knew it was going to be a great moment for me onstage. The melodic chord structure at the end of the chorus, from minor to major, makes me smile every time. On this album, Anderson is a twentieth-century necromancer, fuelled by visions of Hollywood, pornography and the English incantations of Blake, Byron and Ballard. But for all its lyrical fluidity, the song was a source of great conflict in the band. As soon as we wrapped, Nigel walked up to the stage. I was just smiling and singing a song I loved. In it, a shiny Taffeta curtain suggests transformation from a bleak urban flat into a liminal space that recalls the pre-war Berlin nightclubs. Jon Bon Jovi was another story, of course. He told me it was all wrong. Considering the fact that he was producing one of the largest TV shows of all time and he wanted it to run smoothly and be entertaining, I totally respected that. I just looked at things from a different viewpoint than he did. I really had to put my foot down with him, and he was never the kind of guy to let it go. The rest is television and YouTube history. He cites William Blake as an inspiration around this time. The band sounded so good! The album contains echoes of other English visionaries, buried deep enough into the text to feel subliminal, even archetypal. How do you not get this? The night before, I did my usual preparations. I snapped back with:
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