Now why would you leave all that for a middle-aged woman and your own incipient old-age and death? In several conversations, she talks about the tensions within feminism over the decades. What the suitors admire Penelope for, what they want in her, is her likeness to Odysseus. To be Nobody forever is a living death. But notice how much like Odysseus this makes Penelope sound. But when he has triumphed over the Cyclops, he cannot resist identifying himself as who he really is, so that this triumph, too, will redound to him:
To be Nobody forever is a living death. He is the real though unconscious object of their eros. In marrying Penelope, then, you are almost certainly depriving yourself of children, of gallant glorious sons. Now think about that in a world in which children — especially, sons — are even more important than they are in our own culture. Now why would you leave all that for a middle-aged woman and your own incipient old-age and death? He is; they are wannabes. She speaks for all women writers who have addressed sexual topics and who have suffered retaliation. The first concerns the savage punishment — death — imposed on the suitors. Then there is the mystery presented by the form of the Odyssey itself, with its odd mixture of realism the suitors and Penelope and magic the unreality of the realms that Odysseus visits between the fall of Troy and his return home. But I believe the poem intends you to be puzzled. How often they must have heard the bards sing of these great men. Think about the mother of one of your friends. Sorrow and depression do not dampen the libido, evidently. Penelope is a middle-aged woman of around 40 — not old, certainly not in our terms, but not nubile either. There are no great feasts, no bards, and none of the wars and sports that give them something to sing about. And that, in the end, we will surely find. They are young because they are the next generation — the ones that did not fight in the Trojan Wars. Her bottom will always be firm. He goes to defend home and the family. He lives in Chapel Hill. Furthermore, why do no suitors at all show up for 17 years, and why, when they do, are they all so young? They are shadows only. Conversations with Erica Jong reveals the writer to be funny, articulate, and passionately committed to her art. Tyro and Alcmena… Not one could touch Penelope for intrigue. That is the solution to one of the mysteries I mentioned earlier. But it is not an identity that the poem itself validates or accepts uncritically. She describes the difficulty of escaping categories created by the media and the critical community and the frustration of living in the shadow of one notorious best-seller.
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